2 Shades of Grey

Songs from the soundtrack of your life

2 Shades on the Road – upcoming events

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Keirby Hotel charity event (date tbc), The Bay Horse (date tbc), Cliviger Ladies’ Group Xmas event (date tbc), Tesco Burnley Xmas charity event (date tbc)

For more information about our activities and events contact Barrie on  07514 072 393  or Mike on  07595 895 961


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2 Shades plus 1 entertain local hospice patients

2 Shades of Grey entertained patients and staff this week at Pendleside Hospice.

Cancer care is a cause close to their hearts having performed at Macmillan coffee mornings in the past and also fund-raising for the hospice by playing at a local pub.

On this occasion they were joined by percussionist Roy Shoesmith, former drummer with Mike’s old group The Avalons (see archive) who last played together in 1966.

On these occasions we encourage community involvement in the performance and include a pop quiz based on 60s favourites from the Kinks, Beach Boys, Sam Cook etc. and expect them to sing along.

The Pendle-ettes didn’t let us down!

The music ranged from standards by NKC and Ella to Tex-Mex, country and latin and included a tribute to Glen Campbell with three of his best Jimmy Webb penned songs.

Everybody enjoyed the event so thanks to everyone who helped: Margaret and Gemma and the other lovely staff.

And also thanks to Roy for stepping in at a few days notice to help us out.

 

Hospices rely on donations so if you want to support them go to https://www.pendleside.org.uk/


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Music while you work

Biz Psycho

Millennials are re-creating the war-time experiences of having music played in factories by bringing music into offices.

Last year PRS for Music, the music licensing organisation which collects royalties for musicians, granted 27,000 licences for offices to play recorded music, up almost 10% on the previous year.

And that’s good news for musicians who must be heartily sick of being ripped off by young people ripping tracks from web-sites in the belief that they are “entitled” to free music.

Whether or not music does help productivity is open to debate. Certainly the government thought it did during WWII when they promoted “Music While You Work“.

The American company Musak actually patented a “Stimulus Progression” system to keep factory workers focussed by varying the intensity of the music in 15 minute chunks; something I have posted about elsewhere

Many factories have scrapped music on health &…

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Beat music pt 2

As I mentioned last year one of my favourite magazines was Beat monthly which had morphed into Beat Instrumental monthly by issue 18 in a slightly larger format and a price increase up to 2/- old money (i.e. 10p). This September 1965 issue was the last one I have but it went on until the early 1970s at least and copies can be found on the internet from £0+ a copy!

The Animals were the featured group on the front page shown rehearsing for a TV show. It was in full colour. There was an editorial comment inside about how much better everyone would come across if we had colour TV!

(NB BBC 2 broadcast its first colour pictures from Wimbledon in 1967. By mid 1968, nearly every BBC 2 programme was in colour. Six months later, colour came to BBC 1. By 1969, BBC 1 and ITV were regularly broadcasting in colour).

The inside front cover was a full-size b&w photograph of Ray Davies playing a Framus 12-string guitar.

The Player of the Month was Jeff Beck. This was a few months after he replaced Eric Clapton in The Yardbirds.

He said he was playing a Fender Telecaster which cost about £125 “not expensive” he said (well about three months wages for the average guy in the street).

A surprise for me was seeing Bill Wyman’s column giving advice on bass guitars and playing them. He was still in the Rolling Stones so must have had some spare time.

There was a full-page review of a Moody Blues gig. This was the original line-up and they were still playing R&B covers with some of the material from their first album “The Magnificent Moodies” – of which I still have a copy – which including their big hit “Go Now”

There was also a feature on Graham Bond and his new “orchestra” a Mellotron (which cost £975).  It provides a range of instrumental sounds from violin and guitar to piano and trumpet.

He amplifies it through a 50-watt Leslie cabinet, similar to his Hammond. He was keeping both so heaven help the roadie.

The article also noted that bassist Jack Bruce was switching from a Fender six string, which he played through a Vox 100-watt amp, to a string bass. Bond thought “it would fit in better with a lot of gospel-type numbers we will be trying soon”

The magazine contained the usual round-up of music around the British Isles with a survey on Northern Ireland (and those showbands), and the Richmond Jazz Festival.

The Jazz Festival opened with local boys The Yardbirds and The Who (who got a passing mention only). The Animals (playing a Ricky guitar with Vox amps) and  Manfred Mann played some of their more “way out” stuff. The Animals were pleased with their performance as they later supplemented their sound with four saxes and three trumpets from the New Jazz Orchestra and the Dick Morrisey Quartet.

Manfred Mann closed the festival on the Saturday night but it was left to the Animals to close the event with the Impressions‘ song “It’s alright”. For this they were joined on stage by Long John Baldry, Rod Stewart and Julie Driscoll (Steam Packet) and Gary Farr. I wish I’d been there for that 10 minute rendition!

There were a couple of page long features, one about the Byrds, which included David Crosby, (and who’ve had serious problems with their early performances in the US with broken down amps, inadequate microphones and poor guitar balance, something which had also happened in the UK). Elsewhere in the magazine was a piece about the British Birds who were more than annoyed about the Byrds pinching their name.

The other one was about how The Fortunes wanted to stress their vocals after finally getting a hit with “You’ve got your troubles“, to the extent of appearing on Thank Your Lucky Stars on TV without their instruments.

Among the short stories was news that John Lennon had bought a Mellotron (just like Graham Bond) ahead of their US tour, Sonny Bono confessing he only knew seven chords on the piano, and several other musicians looking at replacing pianists with organ players and the like.

A profile on ex-Animals’ organist Alan Price talks about his leaving the Animals, due to ill-health and fear of flying, but also because he wanted to get back to his jazz roots. So keyboards/organs seemed to be on the up.

Even a full-page story about The Beatles return appearance on British TV after being away from live performances filming also featured an organ. The programme was shot in Blackpool and John Lennon was shown playing a Vox keyboard.

This was a variety show in which they performed six songs, although the magazine writer only mentioned one. They opened with “I feel Fine“, then “I’m down” with John on the Vox organ, Ringo sang “Act Naturally“, that was followed by “Ticket to Ride”, Paul then sang “Yesterday” as a solo accompanying himself on acoustic guitar. They finished with their latest song “Help“.

You can see the performance below – or you could until someone blocked it but you can still find it on youtube at https://youtu.be/Qxit-xPfkJI.

It’s interesting to look back and see who was just breaking through and who’s still around.


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Fame at last – 50 years too late?

As a local Lancashire group the Avalons managed to generate local press coverage at a time when anybody playing a guitar was popular – and East Lancashire was full of good groups.

But we never made it into the national press – apart from an article in Q magazine explaining why we broke up, of which, in hindsight, the less said the better.

But journalist Richard Houghton has published a book: The Who – I was there, about fans’ and groups’ experiences over the years.

He’d spotted my blog post on when we played with them and asked if it could be included in the book. Of course, why not?

So here is his book and here is part of our story about supporting one of the best rock bands in the world here in East Lancashire back in May 1965.

 


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Glen Campbell – gifted guitarist and singer – RIP

The sad demise of one of the most talented modern musicians is hard to comprehend. I can’t say I liked everything he did but given his background as a session guitarist for a diverse range of artists including Frank Sinatra and the Righteous Brothers, as a member of the Beach Boys backing band, plus too many great songs – especially those written by Jimmy Webb – it is a very sad loss.

He was once asked on a late night TV show if he was the greatest guitarist, better than Van Halen, Jimi Hendrix and the like. He said no but he thought he was the most versatile, which he put down to his extensive use of a capo. And then proceeded to demonstrate to the host what he meant!

Among my favourite songs “By the time I get to Phoenix” and “Wichita Linesman” stand out. I also liked one of his last songs “Ghost on the Canvas” which I thought was prophetic in many ways.

The song I’ve chosen to include here is from his 64th and last album released in June this year and is another Jimmy Webb composition appropriately titled “Adios“.

The accompanying video showing the final journey of one of his well-used guitars adds a unique touch.


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2 Shades of Grey perform at 43rd Worsthorne Arts & Crafts Fair

2 Shades  were delighted to perform for the fifth consecutive year at Worsthorne Arts & Crafts Fair.

The music was a mixture of standards. pop classics, latin and country.

Pop classics were represented by the Everlys, Billy Fury and the Beatles – “All I have to do is dream”, “I’ll never find another you”, and “Obla-Di Obla-da”. And a modern pop song by Rag and Bone Man “Grace”

Country flavoured songs from Rick Nelson and the Highwaymen – “Hello Mary Lou” and “the Last Cowboy Song”

Latin flavoured “Besame Mucho” and “Ten Guitars”

Standards? “Let there be love”, “I’ve got you under my skin”, and “Every time we say goodbye” by the likes of Nat King Cole, Sinatra, and Ella Fitzgerald (and covered more recently by the likes of Michael Bublé)

Just before the final song “Every Time We Say Goodbye” joint-MC Tony Cummings ( who had provided backing vocals) gave a reading of “In Flanders Field” as a tribute to the those who fell at Passchendaele, also known as the 3rd Ypres battle, which started 100 years ago to the day. (The poem had been written two years earlier after the second battle of Ypres but the imagery of the red poppies has stayed with the world ever since when remembering those who fell in war).

Another enjoyable evening which kicked off the week’s musical performances. Thank you everybody, especially if you joined in the singing (and save me some cake next time!)